{"id":735,"date":"2013-12-19T18:09:38","date_gmt":"2013-12-19T18:09:38","guid":{"rendered":"https:\/\/vormvrij.nl\/3dclayprinting\/?p=735"},"modified":"2017-11-19T18:19:19","modified_gmt":"2017-11-19T18:19:19","slug":"woven-clay-by-jared-friedmand","status":"publish","type":"post","link":"https:\/\/vormvrij.nl\/3dclayprinting\/?p=735","title":{"rendered":"Woven clay by Jared Friedmand"},"content":{"rendered":"

Jared Friedmand in collaboration with Olga Mesa and Hea Min Kim<\/i><\/p>\n

Project Abstract:<\/b> <\/a>The Standard definitions and models of additive manufacturing, such as those outlined by ASTM (2012), often assume a layer-by-layer deposition of a material onto a flat surface. The research presented looks to explore what alternative formal opportunities that may arise when challenging these assumptions concerning additive manufacturing.<\/p>\n

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Beginning with the robotic clay coil extrusion process, the research uses a bottom-up approach that asks what types of forms and scales can be generated with this process. Prototypes incorporate techniques such as weaving as a means of fabricating panels that celebrate the inherent nature of the coil itself.<\/p>\n

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The woven patterns are designed to incorporate both assembly logics and performance qualities such as light permeability across a fa\u00e7ade component. Through a series of full-scale prototypes focusing on a specific building application, this research works to resolve the seemingly conflicting nature between the inherent mutability of the clay material and the high level of control granted by robotic fabrication processes.<\/p>\n